Tuesday, 30 November 2010

Culture Matters (3)

Cultural Absorption (1)

Throughout history various groups and peoples have arrived in Ireland but they have generally been absorbed into Irishness. For example, the Anglo-Normans or Old English, who came to Ireland in the 12th century, became known as Hiberniores Hibernicis Ipsis, or 'more Irish than the Irish themselves'. Of that process the English poet Edmund Spenser wrote, ‘Lord how quickly doth that country alter men’s natures.’
[A View of the Present State of Ireland p 151]

Since the advent of the Gaelic revival and Irish cultural nationalism in the 19th century, the cultural vision of Irish nationalists has generally included as a core element the absorption orassimilation of all others into their culture and identity.  They believe that those who arrive and settle in Ireland either become Irish or should become Irish, not merely in some vague geographical sense but in terms of cultural identity.

This view was expressed many years ago by David Patrick Moran (1871-1936), the voice of the Irish-Ireland movement, who wrote The Philosophy of Irish Ireland in 1905: 'The foundation of Ireland is the Gael and the Gael must be the element that absorbs.'

Such a view is thoroughly racist but it was very prevalent at that time in the Gaelic movement. Moran had a vision of an Ireland that was thoroughly Gaelic and he also had a vision of an Ireland that was Roman Catholic. He founded a weekly journal called The Leader and in it he said: 'When we look out on Ireland we see that those who believe or may be immediately induced to believe in Ireland as a nation are, as a matter of fact, Catholics … The Irish nation is de facto a Catholic nation.' [The Leader 27 April 1901]

It should not be imagined that Moran was a lone and isolated voice or somehow untypical. He was expressing the common view of Irish Gaelic nationalism. Professor David George Boyce states that: ‘Moran has been criticised for his alleged ‘racism’; but his real purpose was to spell out, regardless of cant and humbug, the principles which others accepted but preferred not to examine too closely.’ [Nationalism in Ireland p 243]

The vision of cultural absorption was also expressed by Douglas Hyde (1860-1949), who was the founder of the Gaelic League and later the first president of the Irish Republic: 'In two points only was the continuity of Irishism in Ireland damaged. First in the north-east of Ulster, where the Gaelic race was expelled and the land planted with aliens, whom our dear mother Erin, assimilative as she is, has hitherto found it difficult to absorb. … In spite of the little admixture of Saxon blood in the north-east corner, this island is and will ever remain Celtic at the core.'

Sir John Randolph Leslie (1885-1971) was born on the family estate at Glaslough in county Monaghan and he was a descendant of Bishop John Leslie, a Scottish churchman who became bishop of Raphoe in 1633 and Bishop of Clogher in 1661. At Cambridge John Randolph Leslie converted to Roman Catholicism, became a passionate Irish nationalist and changed his name to Shane Leslie. In 1923 he wrote the novel Doomsland and in it the character Francis Joseph MacNeill is a thinly disguised representation of the Belfast nationalist Francis Joseph Bigger (1863-1926). At one point in the novel MacNeill expresses in very succinct form the general view of Bigger: 'I tell you, there is no such thing as Scots-Irish, man or material. You might as well speak of a Scots-Irish potato. What comes to Ireland becomes Irish. Besides, Scotland is an Irish dependency beyond the seas.'

The Catholic Bulletin was an important expression of Irish republican thinking and in the post-1916 period its editor was John J O’Kelly (1873-1957), who was president of the Gaelic League (1919-1922) and acting chairman of Dail Eireann (1919-1921). In 1924 The Catholic Bulletin provided this demand for cultural assimilation: 'The Irish nation is the Gaelic nation; its language and literature is the Gaelic language; its history is the history of the Gael. All other elements have no place in Irish national life, literature and tradition, save as far as they are assimilated into the very substance of Gaelic speech, life and thought.' [Irish Kulturkampf p 10]

It is true that some Ulster Protestants such as Bulmer Hobson, Roger Casement, Francis Bigger and Alice Milligan were absorbed or assimilated and they played major roles in the Gaelic movement but as Professor Richard Kirkland has observed, ‘they were exotic figures in the often sectarian atmosphere of Northern nationalism.’

Moreover in A History of Ulster Dr Jonathan Bardon comments that these folk were ‘utterly unrepresentative of the mass of Ulster Protestants who were repelled by these new interpretations of cultural identity.’ [A History of Ulster p 422]

Unfortunately the vision or aspiration of Gaelic absorption is not dead. Brendan Clifford, who has provided a number of important insights into recent Irish republican thinking, refers to it in one of his booklets: 'This is the end part of a strategy which was worked out by some very respectable supporters of the Provisional IRA in the republic in 1970-71. …. A process would begin which would end with the people who are now unionists being indoctrinated into the nationalist culture.'  [Parliamentary Despotism – John Hume’s Aspiration January 1986]

Down through the years many of those groups that settled in Ireland were absorbed but there is one notable exception. In 1914 Rev J B Woodburn published his book The Ulster-Scot. The book was an immediate success and when it was reviewed in The Times on 30 April 1914 the reviewer commented: 'He is a mystery, this Ulster Scot. All other peoples Ireland tends to absorb.'

Almost a century later there is still an Ulster-Scots culture and an Ulster-Scots cultural community in Northern Ireland and the border counties of the Republic of Ireland.

The fact that the Ulster-Scots have not been absorbed was also noted, albeit in a thoroughly intolerant way, by John Francis Taylor (1850-1902), an influential Dublin barrister and Irish nationalist: 'Wherever the English have come they blended with the people … but these unthinkable Scotch, why indeed were they kept upon the planet?'

Today Irish nationalism and Irish republicanism are more sophisticated and subtle in their approach but they remain largely intolerant of those cultural traditions which are not Irish and Gaelic and therefore they continue to seek preferential treatment for Irish and Gaelic culture.

The Gaelic vision of cultural absorption set out by Moran, Hyde and others was an intolerant vision and one that should have no place in out society. We must seek to build a shared and better future in Northern Ireland, a future based on equality, diversity and interdependence, and that should also be the way forward for the Republic of Ireland.

Monday, 29 November 2010

Culture Matters (2)

Irish cultural nationalism

Irish nationalism is essentially cultural nationalism and the Irish cultural movement has always been essentially nationalist.  That was certainly the case at the start of the Gaelic revival in the 19th century.

The Gaelic League was formed on 31 July 1893 to revive the Gaelic language and Patrick Pearse identified the formation of this organisation as the start of an Irish revolution.  Writing in The Irish Volunteer (7 February 1914) he said, 'The Gaelic League will be recognised in history as the most revolutionary influence that has ever come into Ireland. The Irish revolution really began when the seven proto-Gaelic Leaguers met in O’Connell Street.'

Meanwhile the GAA was founded in 1884 on the initiative of the Irish Republican Brotherhood, and it has been a thoroughly nationalist organisation throughout its existence. Clubs, ground and trophies have been named after Irish republican heroes, past and present, and the constitution of the GAA still affirms its support for a ‘United Ireland’.

The early history of both the Gaelic Athletic Association, formed in 1884, and the Gaelic League, shows clearly the way in which both organisations were used by Irish nationalists as a means of promoting Irish nationalism.

It is often pointed out that there were some ‘Protestants’ involved in the Irish cultural movement eg Francis J Bigger, Roger Casement and Alice Milligan, and it is true that there were Protestants in the movement but they were nearly all Irish nationalists. Generally their interest in Irish culture developed into a commitment to Irish nationalism. 

Today Sinn Fein continue to pursue a cultural nationalist agenda.  Around the time of the IRA hunger strikes they launched a new cultural campaign and at a conference in West Belfast Padraig O’Maoicraoibhe, a Sinn Fein cultural officer, said, 'I don’t think we can exist as a separate people without our language. Now every phrase you learn is a bullet in the freedom struggle. The process of decolonisation will have stopped half-way if, the day we succeed in driving the English from our shores, what is left behind is an Irish people possessed of the language, culture and values of the English.'

At the conference in Conway Mill on 26 May 1982 another Sinn Fein activist, Tarlach MacIonractaigh, said, 'The armed struggle is the highest point of the cultural revival.'  The proceedings of the conference were reported in a Sinn Fein publication entitled Learning Irish and in this Sinn Fein observed that, 'Everyone [at the conference] was agreed that there was a definite link between the National Struggle and the Cultural Revival.'

Today Sinn Fein see Irish culture as a means of:
1. Broadening the battlefront – they added the cultural front to the terrorist front and the political front and later they added the parades front.  Their terrorist war is over, although it is being continued by dissident republicans, but they have placed a greater emphasis on their cultural war.
2. Strengthening the nationalist community – providing cultural confidence, strengthening solidarity and building capacity.
3. Undermining the Protestant/unionist community – they deny or demean our cultural expressions and try to convince unionists that they are really Irish.  Their tactics are those of cultural humiliation and cultural assimilation.

That is why Sinn Fein place so much emphasis on culture and make so many cultural demands. They know that culture matters.

There is nothing inherently problematic about the Irish language, Gaelic games or any other form of Irish culture.  They are part of our cultural wealth.  The problem is about the way they have been used by Irish nationalists and republicans to further their political agenda.

Sunday, 28 November 2010

Gillian Welch - I'll Fly Away



I'll Fly Away was written in 1929 by Albert E Brumley, who wrote around 800 songs.  It has been described as the most recorded gospel song of all time and has been recorded by Ralph Stanley, Hank Williams, Alan Jackson, Johnny Cash, Alison Krauss, Tammy Wynette, Jerry Lee Lewis and many others.

Saturday, 27 November 2010

Culture Matters (1)

Recently I have commented on the need for cultural inclusivity in Northern Ireland and I was thinking about that again this evening.

Earlier tonight I was singing at the weekly Saturday night praise service in the Bethel Elim Pentecostal Church in Berlin Street, off the Shankill Road.  The church building is in the heart of the Shankill area and it has been there for many years.  The Saturday night meeting is part of their weekly programme and starts at 7.00 with tea and toast for the congregation.  The service then gets underway at 7.30 with the congregation singing some choruses and then there are usually three singers, who each sing three or four gospel songs, two in the first half and then one or two in the second. 

All the pieces are simple gospel songs, with a focus on basic Christian themes of God, sin, salvation, heaven and hell, and the accompaniment is often provided by the singer on a guitar or accordion. 

Many of the songs are well known to the congregation and folk will often join in and sing along, especially in the choruses.  Sometimes the singer invites them to sing along and at other times it just happens spontaneously.  This is possible because either the songs are well known or the choruses are simple and can be learned quickly.

Many of the songs are taken from the general repertoire of gospel music but some singers write some of their own songs and some put alternative words to popular tunes.  There is a long tradition of this and as an example the hymnbook of the Faith Mission includes hymns set to Scottish tunes such as Auld Lang Syne and tunes written by the Scotch-Irish composer Stephen Foster.

After each singer had sung tonight the pastor made a short comment on each of the songs, explaining and applying the message of the songs, perhaps using a Bible verse or through an illustrative story.  In some other places the pastor will simply introduce the singers and then give a short address at the end.

During the service there was a collection for the Northern Ireland Hospice, which raised several hundred pounds, and the evening finished around 9.00.  For many of those who attended this is an important part of their week and this is how they spend Saturday nights for much of the year.

This type of praise service, with songs sung in a country gospel or Southern gospel style, takes places regularly in many evangelical churches and mission halls across Ulster and it is is a long established part of our rich cultural diversity.

I suspect that few if any of those in the cultural establishment attend such meetings and it is a cultural expression with which they are probably unfamiliar.  For that reason this type of music does not feature in mainstream cultural festivals.  But if we are to have the inclusivity that I believe to be essential for a shared and better future then such music must be brought in from the margins to the mainstream.

It is undoubtedly popular, not just in the setting of a praise service in a church or mission hall, but on the radio and in major venues.  Radio Foyle has a weekly Sunday afternoon programme called Rejoice, which includes a lot of this type of music, and in recent times I have attended Southern gospel events in the Odyssey and the Theatre at the Mill in Mossley.  Some of the singers have been visiting singers from America but others have been local gospel singers and groups and some of those local singers are of a very high standard.

If a festival is an Irish traditional music festival, then it should deliver Irish traditional music, and if it is a jazz festival then the programme should be jazz.  However there are also festivals which are general in their content and which should be inclusive in their programming.  The organisers may not themselves be familiar with this music genre but they could engage with those who are.  In recent months I have raised the issue with a number of people and I hope that they will now rise to the challenge.

In the world of culture there is much talk about the importance audience development and here is an opportunity for those who manage festivals and venues to reach out to new audiences by including another musical genre in their programmes.

Some other parts of the world are way ahead of us in this regard.  Earlier this year I visited North Carolina, which is part of the 'Bible belt', and I was interested to hear from the deputy director of one major venue about how they see this as an opportunity. Her venue includes an open-air performance space and when it opened they used that space to put on an open-air gospel concert.  For them it was a natural thing to do.  There are many evangelical Christians in the state and they are happy to programme events that will appeal to them.  To them it seems so simple and so sensible.

Wednesday, 24 November 2010

The Land o' the Leal

This is another of the Scots songs by Lady Nairne (1766-1845).

 
Land o' the Leal

I'm wearin' awa', John
Like snaw-wreaths in thaw, John,
I'm wearin' awa'
Tae the land o' the leal.
There 's nae sorrow there, John,
There 's neither cauld nor care, John,
The day is aye fair
In the land o' the leal.

Our bonnie bairn 's there, John,
She was baith gude and fair, John;
And O! we grudged her sair
Tae the land o' the leal.
But sorrow's sel' wears past, John,
And joy 's a-coming fast, John,
The joy that 's aye to last
In the land o' the leal.

Sae dear 's the joy was bought, John,
Sae free the battle fought, John,
That sinfu' man e'er brought
Tae the land o' the leal.
O, dry your glistening e'e, John!
My saul langs to be free, John,
And angels beckon me
Tae the land o' the leal.

O, haud ye leal and true, John!
Your day it 's wearin' through, John,
And I'll welcome you
Tae the land o' the leal.
Now fare-ye-weel, my ain John,
This warld's cares are vain, John,
We'll meet, and we'll be fain,
In the land o' the leal. 

Meaning of some of the words:
  • awa = away
  • bairn = child
  • baith = both
  • cauld = cold
  • e'e = eye
  • fain = loving, affectionate
  • leal = loyal, faithful
  • sair = sore
  • snaw = snow
  • tae = to



Peasall sisters - Where no one stands alone

The Lily of the Valley